David Edren

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Daarbuiten

(2024) - available here

After finalizing the conceptual 'Electronic Gamelan Music' album in 2017, i started to transform its workflow and sounds into a different format. I first performed these new ideas at the Kraak festival in March 2018 and at the AB club the following June. During the summer of 2018 i took it up to myself to record these tracks into a new album.. After the summer i put the recordings to the side and (as things go) my focus shifted towards other projects. Forward 2 years; In 2020 (during the first Covid lockdown), i did release some of these sounds (in a very preliminary form) as a digital only release. I gradually started to envision a new album focusing on the outside world, nature, our basic surroundings.. This idea eventually led me, during a 3 year search, towards my 2023 release 'Relativiteit van de Omgeving'. At the beginning of 2024 i stumbled upon my initial 2018 recordings and decided it was time to re-imagine these sounds into a new whole.  Daarbuiten (dutch) translates as 'Out there / Outside'.

tracks:

Nevelwoud I
Nevelwoud II
Ijskristallen
Nevelwoud III
Terugkeer
Daarbuiten
Zomerstorm
Verdwenen


Out June 14th 2024 on CS
through Muzan Editions (MEDS091)


Music By David Edren.
Recorded in the summer of 2018 at LittleForest, Antwerp, except Nevelwoud I recorded live at Kraak Festival, March 4th 2018 (Beursschouwburg, Brussels) and Ijskristallen & Verdwenen recorded June 4th 2018 at AB Salon Brussels by Mich Leemans. Additional production & mix February-April 2024 at StSt, Kalmthout.

Most tracks were performed live during the recording process in 2018 and some tracks were actually recorded at live performances. Additional production took place between February and April 2024.

I'd like to think the album offers an organic flow of sounds/ideas and evokes a 'live feel'. I envision it as an ode to the outside world and its multifaceted reality. Its tracks hinting towards atmospheres, vibes and hidden stories.

David Edren, May 2024






Relativiteit Van de Omgeving

(2023) - available here

Look at your surroundings!
-seize time-
Aren't these dominant (f)actors
in your well-being?
Flee, free from mists.
Slow down, Reflect, ponder..
-drink water-
For roots may spring,
Seeds may sprout
replenish your garden.
Skate through into
as dusk lights
a new environment.


tracks:
- omgeving (intro)
Vertraag!
Uurwerk
- mistbank
Vrije Vlucht
Maansteen
- refractie
Zaailing
Waterpartij
- schaatsenrijder
Reflectie in de Schemering
Omgeving 


released April 7th 2023 on LP/CS
through Not Not Fun records (NNF388)


Music by David Edren 2018-2021
Recorded at LittleForest 2021
Mastered by Alex Nagle
Images and text by David Edren
Layout by Jozefien Gruyaert

Antwerp synthesist David Edren describes his latest solo collection in conceptual terms: a harmony of space and time, elements and environments, perception and impermanence. Conceived in the morass of 2020, he began envisioning a widescreen suite of electronic compositions connected to the hidden rhythms of what surrounds and affects us. The 12 tracks of Relativiteit Van de Omgeving trace a chain of miniature terrariums, from misty meadows and moonlit gardens to cosmic vistas of asteroid showers. It’s music both subtle and symphonic, attuned to the sweeping planetary clockwork of water and wind, birds and insects, seeds scattered in soil forever being reborn: “skating the thin ice of ideas, like a heroic water strider.” NNF







Flow | 流れ

(2023) - available here

Proud to announce a collaborative album with H.Takahashi, featuring music recorded in 2020-2021.

The union of Antwerp synthesist David Edren and Tokyo minimalist Hiroki Takahashi is a fit so natural as to feel preordained. Both traffic in subtle shades of contemplative electronics, marked by patience, space, and poetic restraint. And both have rich histories of curation and collaboration. Mutual fans of one another’s work, they began sharing stems in the latter half of 2020, which slowly blossomed into a collection of multi-hued compositions inspired by notions of connectivity and impermanence, translated for east and west: Flow | 流れ.

tracks:
Dusk Decorum | 黄昏 礼節
Cascade | 滝
Ghost Count | 木霊数え
Canter and Gallop | 駈歩と襲歩
Stalactime | 鍾乳石時計
Light Blue & Plink | ベイビーブルー &  プリンク
Shift Register | シフトレジスタ



released February 10th  2023
by Aguirre Records (ZORN97)

Opener “Dusk Decorum | 黄昏 礼節” maps the mood of what’s to come, elegantly pirouetting and percolating through an expanding vista of looming stars and half-light horizons. Takahashi describes Edren’s arrangements as evoking “a strange feel, something we haven't heard much of before.” The sensation is one of “in-betweenness,” a restless current whispering beneath the beauty, like seasons seen in time-lapse footage: flickering but infinite, transience turned permanent. Takahashi’s signature sculpture garden tones plot spiral patterns over which Edren cascades dazzling pointillist synthesizer coloration. The pieces veer between delicate and dilated, micro and macro, their aperture forever softly in flux.

From the oscillating orchestral lullaby of “Stalactime | 鍾乳石時計” to the sweeping, sparkling dream sequence closer, “Shift Register | シフトレジスタ,” the album achieves the elusive goal of being more than the sum of its parts. This is music of rare air, elevated and amorphous, shimmering just out of reach. Though Edren and Takahashi have yet to cohabitate the same room in person (a fact that should be rectified soon by an astute festival booker), their palettes and poise are perfectly paired, twin fragilities woven into seven radiant and regenerative vibrational states. The cover design of a beatific, beaded leaf rippling on the surface of a hidden pond aptly captures the record’s muted majesty. Takahashi’s quiet pride is justified: “We are very happy with this time-consuming and carefully crafted work.”


Music By H.Takahashi and David Edren.
Recorded 2020-2021 Tokyo|Antwerp.
Mixed & Edited by David Edren at LittleForest, Antwerp.
Mastered and cut by Anne Taegert at Dubplates & Mastering.
Artwork by Vica Pacheco | Sleeve Design by Yudai Osawa.





Antwerpen, 2024

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